Latest or all posts or last 15, 30, 90 or 180 days.
2024-05-16 04:46:13
Designed for the most demanding needs of photographers and videographers.
877-865-7002
Today’s Deal Zone Items... Handpicked deals...
$520 $520
SAVE $click

$799 $799
SAVE $click

$3399 $2899
SAVE $500

$3997 $3497
SAVE $500

$2499 $1999
SAVE $500

$1999 $1449
SAVE $550

$5999 $4399
SAVE $1600

$500 $440
SAVE $60

$5999 $4399
SAVE $1600

$999 $849
SAVE $150

$1049 $849
SAVE $200

$680 $680
SAVE $click

$300 $300
SAVE $click

$5999 $4399
SAVE $1600

$4499 $3499
SAVE $1000

$1199 $899
SAVE $300

Getting the Best Results From a Digital Sensor — JPEG vs RAW and Exposure and Noise

These new articles apply to any type of digital camera, being particularly instructive in several ways:

  • How misleading a camera histogram can be.
  • How grossly underexposed the “correct” metering might be.
  • The greatly increased noise from “correct” but sub-optimal exposure.
  • The huge loss of dynamic range with JPEG.
  • The incredible versatility of push and pull with RAW.

Added to the DAP workflow articles:

It was a bit of a challenge to fully present this work, but I think it was worth it. In it, I capture some measure of what I do in the field, and how I can get very high image quality out of even small sensor cameras.

At a glance

Below, it is easy to see why RAW is hugely preferable to JPEG (this is a camera RAW + JPEG pair shot with one press of the shutter), with RAW having generous headroom by comparison, and far higher image quality due to reduced noise:

RAW capture (left), exact same JPEG capture (right)

Mosts cameras mislead for RAW, leading users to underexpose for inferior image quality.


View all handpicked deals...

Sigma 28mm f/1.4 DG HSM Art Lens for Nikon F
$799 $799
SAVE $click

diglloyd Inc. | FTC Disclosure | PRIVACY POLICY | Trademarks | Terms of Use
Contact | About Lloyd Chambers | Consulting | Photo Tours
RSS Feeds | X.com/diglloyd
Copyright © 2022 diglloyd Inc, all rights reserved.